Editor's Note

Copyright ©2002 Reproduced by permission of the author, Katheryn Kish Sklar. "How and Why Did the Guerrilla Girls Alter the Art World Establishment 
in New York City, 1985-1995?" documents selected and interpreted by 
Suzanne Lustig under the direction of Katheryn Kish Sklar, State 
University of New York at Binghamton, Spring 2002.

Copyright ©1992 Reproduced by permission of Catherine Kings, "Making Things Mean: Cultural Representation in Objects," in Imagining Women: Cultural Representations and Gender, Frances Bonner et al. eds. London: Polity Press, pp. 15-20

Copyright ©1993 Reproduced by permission of Susan McClary, “Reshaping a Discipline: Musicology and Feminism in the 1990s” Feminist Studies, Vol. 19, No. 2. Women's Bodies and the State (Summer, 1993) pp. 399-423
Accessed: 3/13/2012
http://www/jstor.org/stable/3178376

Copyright ©1998 Reproduced by permission of “Artistic Production and Reception” by Judith Fryer Davidov, Women’s Camera Work: Self/Body/Other in American Visual Culture Durham, NC: Duke University Press, pp. 3-6.

Copyright ©1989 Reproduced by permission of Linda Nochlin, “Women, Art, and Power and Other Essays”, Westview Press.

Copyright ©1993 Reproduced by permission of Catherine A. Lutz and Jane L. Collins, “Reading National Geographic”, Chicago: University of Chicago Press, pp 4-6, 166-168, 172-175.

Copyright ©2011 from “Gendered Innovations,” Video Games: Engineering Innovation Processes. , Reproduced by permission of Gendered Innovations Stanford University.
http://genderedinnovations.stanford.edu/case-studies/games.html#tabs-2

Copyright ©1999 Reproduced by permission of the editor Sherry B. Ortner and author Lila abu-Lughod, "The Interpretation of Culture(s) after Television", in The Fate of "Culture", ed. Sherry B. Ortner. Berkely, Los Angeles, and London: University of California Press, pp. 114-122.

“Excerpt From Ways of Seeing”
Copyright ©1972 Reproduced by permission of John Berger, Ways of Seeing, Harmondsworth, England: Penguin Books, pp. 7-11, 16-17, 45-47, 63-64